Jack Goes Boating
Director: Phillip Seymour Hoffman
Year: 2014
Based on the half-million dollar box office gross, I’m guessing most people probably haven’t even heard of this movie. I saw the DVD case at my local library with Phillip Seymour Hoffman’s name on it and that was enough for me to give it a look. I didn’t know anything about it and really didn’t want to before viewing it. Hoffman carries that kind of clout to me as an actor – I just want to see what he does. I was not disappointed.
Jack (Hoffman, who also made his Directorial debut with this
film) is a quiet man, seemingly hurt just by being alive. Hoffman, the actor,
flourishes in painful humanity. His two friends are a married couple, Clyde
(John Ortiz) and Lucy (Daphne Rubin-Vega). They take care of him emotionally.
Jack and Clyde drive for Jack’s uncle’s limousine company, but Jack offers
subtle hints, like his seemingly incongruous affinity for reggae and
application for a new job, that he is trying to better himself and be happy. Clyde
plays the role of big brother to Jack, teaching him to swim, cook, and maybe
even fall in love.
Lucy works at a funeral home (which plays, metaphorically)
with Connie (Amy Ryan). Connie is Jack’s female counterpart in shyness. Clyde
and Lucy decide to set Connie and Jack up. It works well for a time until you
know it won’t…and then it doesn’t. That’s neither a spoiler nor knock on the
story – in fact, it’s a compliment that writer Robert Glaudini (who wrote the
original play version and the screenplay) understood the parameters of what
he’d written and that Hoffman, as Director, held the actors and us within them.
This is a performance piece all the way and the entire cast is excellent.
It’s a small story, sad, strangely funny and sweet all at
once. New York City is on display and looks very inviting throughout, rough
edges and all. All in all, Jack Goes Boating is a very well made film for
people who enjoy watching relationships and understand the subtle and difficult
things couples put up with in order to get and stay together. The worst part
about it was the hole I felt at the end remembering, once again, that Hoffman
is dead far too soon.
Resonance Rating: 4.0 out of 5
Resonance Rating: 4.0 out of 5

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