Black Mass mess
There’s no doubt Jimmy Whitey Bulger was infamous, notorious
and for the reasons he was both, worthy of a biopic. The cast is spectacular,
both in talent and performance. Joel Edgerton, Jesse Plemons and Dakota Johnson
all flash in their roles. The obvious star is Johnny Depp, who is cold and
terrifying in his transformative performance as Bulger.
That’s the good stuff.
I’ve written before about the difficulty of biopics – the
greatest problems lie in identifying how much and exactly what parts of a
person’s life to focus on in the scope of two hours. This is where Black Mass
becomes a mess.
I found myself wondering why I wasn’t more engaged – not a
good place to be in while watching the film. I had been looking forward to the
screening for months. I really like crime stories and the exploration of the
dark side of humanity. The sets are fine. South Boston looks appropriately
rough and aged. The acting, as mentioned, is quite good. But what about that
story…?
The decision-makers of the film seem to believe that
Whitey’s brutality would be enough to draw the viewer along. And it is
shocking, for the moment it happens, at least. The resonance, however, is
missing in the lack of humanity and ability to relate to Whitey on a grounded
level. There was more emphasis put on a childhood friendship with John Connoly
(Joel Edgerton) who became a FBI agent and served as Whitey’s path to slipping
under the radar.
And so it goes, violence without humanity is largely
forgettable. It’s not that Black Mass is a terrible movie, it’s that it so
glaringly misses the greatness is could be.
Resonance Rating: 3 out of 5
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